The Amen Break groove
The chopped funk breakbeat that jungle and drum and bass were built out of: ghost snares everywhere, a backbeat that arrives late, ride cymbal driving underneath.
What makes it feel this way
This is a two-bar drum break in the late-60s funk tradition — a live drummer's four-bar solo section, the kind sampled, sped up and chopped by hardcore and jungle producers into an entire genre. The kit is built from struck, modal voices rather than drum-machine oscillators: a real membrane bass drum, a shell-and-wires snare with its own tighter ghost tuning, a hand-struck high tom over two toms that actually bend in pitch, and ride and bell whose partials are irrational metal rather than filtered noise. The only synthetic parts are the ones a producer would have added after the fact — a dark sub-kick layered under the acoustic one, an 808 hat ticking softly between the strokes, and a low D sub under the downbeat. Bar one behaves: kick on 1, snare on 2 and 4, ride riding straight 8ths with the hi-hat foot closing on the backbeats. Bar two is where the break earns its name — the kick pushes onto the "&" of 3, a half-volume snare answers immediately behind it on the "a", beat 4 is left empty of backbeat and the snare lands late on the "&" of 4, which is the lurch that makes the loop pull forward instead of sitting still. Listen underneath the loud hits: the snare is ghosting at a quarter volume on the "e"s and "a"s almost continuously, sometimes in fast double strokes dragging into the backbeat — mute those and the same note positions instantly sound programmed. The stripped section takes the backbeat off the snare and hands it to the cross stick, but the soft hat keeps running on every 8th and the tambourine keeps every "a" alive, so the groove breathes rather than drops out. Swing is only 8, just enough to drag the offbeat 16ths a hair behind the grid; at 174 BPM anything more stops sounding like a drummer.
It is loaded and playing
This page loads the groove as a full four-part arrangement — a main groove, a variation, a stripped-back section and a fill — chained together, on a kit built only for this rhythm. Press Space to hear it, open EDIT to see every hit on the step grid, and change anything you like. SHARE copies a link that rebuilds your version.
Other grooves
- Boom Bap91 BPM · HIP HOP
- Chipmunk Soul91 BPM · HIP HOP
- East Coast92 BPM · HIP HOP
- Trap Hats146 BPM · TRAP
- Four/Floor124 BPM · HOUSE
- Disco120 BPM · DISCO
- Techno Stomp136 BPM · TECHNO
- Two Step134 BPM · GARAGE
- Motorik146 BPM · ROCK
- Jungle174 BPM · breakbeat
- Liquid Dnb174 BPM · drum-and-bass
- Neurofunk174 BPM · DRUM AND BASS
- Ragga Jungle170 BPM · breakbeat
- Funk Break102 BPM · BREAKS
- Half Shuffle92 BPM · ROCK
- Bo Diddley136 BPM · ROCK
- Second Line92 BPM · FUNK
- Dembow96 BPM · LATIN
- Bossa Nova136 BPM · LATIN
- Afrobeat114 BPM · AFRICAN
- One Drop74 BPM · REGGAE
DRUMMY is inspired by classic 16-pad sampler and drum-machine workflows. It is an independent project and is not affiliated with, endorsed by, or connected to Akai Professional, Roland, or any other manufacturer.